El fugitivo

Drifter returns to his home town for revenge, but he get caught up in the town's interpersonal dramas.

The Paper Man

A deaf and mute vagabond finds a large denomination bill in a Mexico City dump, and while he tries to buy something with it, others try to con him into giving it away. The film was selected as the Mexican entry for the Best Foreign Language Film at the 36th Academy Awards, but was not accepted as a nominee.

Ladrón que roba a ladrón

Two bandits hide from the law by posing as doctor's in a small town without medical care.

El regreso del monstruo

Mad scientist is trying to transplant the soul of an animated, talking skeleton into a living body. Also, there's a monster. Number three of three in Zorro Escarlata series.

Carabina 30-30

Rom-com set during Mexican Revolution.

Cielito Lindo

Revolutionist and Army General compete for a woman

Los chiflados del rock and roll

El jinete sin cabeza

A mute phantom hero takes on skull-masked killers, a disembodied living hand and a corpse that won't stay in its grave. This is the first in a trilogy of horror/western hybrids that also includes the films La marca de Satanás ("The Mark of Satan") and La cabeza de Pancho Villa ("The Head of Pancho Villa").

Tal para cual

Mistaken identity farce; two guys each pretend to be somebody else to cover for each other in delicate situations.

El lunar de la familia

Fernando Mendez's 1953 Spanish-language melodrama El Lunar de la Familia unfurls against the backdrop of a deceptively innocent-sounding family reunion. Two freewheeling, party-happy young men, Luis and his buddy Antonio, catch the train in to San Miguel, on a visit to Luis's grandmother, Doña Luisa, and his sister Esther. Unfortunately for the visitors, Luisa's goddaughter Rosita, is sitting near them in the same train car. She soon catches wind of the boys' wild tendencies, and makes a ...

Nadie muere dos veces

Big-league criminal escapes from jail, tracks down his ex-wife at a seaside resort. She kills him in self-defense, and then a guy who looks exactly like him comes along. Massive complications!

¿Qué te ha dado esa mujer?

This musical comedy tells the story of two men whose friendship (whose beginning is told in "A toda máquina") is affected by assumptions love triangles and misunderstandings between the two, however, the value of that friendship overcomes all difficulties.

A.T.M. ¡A toda máquina!

A drifter lands a job as an officer in Mexico City's elite motorcycle police unit. Once there, he falls in love with a girl, who is also courted by his commanding officer. Both policemen try to avoid this from interfering with their friendship and profession. Written by Salvador Monroy Ordaz