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White Cube

Visitors to the temples of modern art in global cities will be familiar with the white cube gallery space. But when one arises in the middle of a Congolese palm oil plantation, the effect is deeply disorienting. Furthermore, it draws attention to the often overlooked ties between colonialism and the art world, for example, through the multinationals that now proudly sponsor these Western museums. This Congolese arts center is part of artist Renzo Martens’s unorthodox plan to jump-start the ...