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6.7 Alone on the Pacific

Alone on the Pacific

Kenichi Horie is determined to challenge his family, the law and the nature crossing the Pacific to America in a small sailboat. Despite his careful planning many unforeseen events will test his determination.

NR
6.7
1963 Adventure 97 min Play
6.8 Her Brother

Her Brother

Set in 1926 when Japanese tradition was much stronger, this drama looks at the inner workings of a small family, especially the relationship between a sister and brother.

NR
6.8
1960 Drama 98 min Play
6.3 Chikamatsu’s Love in Osaka

Chikamatsu’s Love in Osaka

The adopted son of an Osaka courier falls in love with a prostitute and, discovering that she is about to be purchased by a client, steals money from his employer to redeem her. Hunted criminals, the two young lovers take flight to Yamato, but, as in Chikamatsu's other domestic tragedies of love and duty (known as sewamono), they must be pursued and their passion destroyed by death. Favourite Uchida themes, such as the indenturing of a prostitute (cf. YOSHIWARA; A BLOODY SPEAR AT MT. FUJI), ...

NR
6.3
1959 Romance 105 min Play
7.6 The Ballad of Narayama

The Ballad of Narayama

In Kabuki style, the film tells the story of a remote mountain village where the scarcity of food leads to a voluntary but socially-enforced policy in which relatives carry 70-year-old family members up Narayama mountain to die. Granny Orin is approaching 70, content to embrace her fate. Her widowed son Tatsuhei cannot bear losing his mother, even as she arranges his marriage to a widow his age. Her grandson Kesa, who's girlfriend is pregnant, is selfishly happy to see Orin die. Around ...

NR
7.6
1958 Drama 98 min Play
7.7 Equinox Flower

Equinox Flower

Later in his career, Ozu started becoming increasingly sympathetic with the younger generation, a shift that was cemented in Equinox Flower, his gorgeously detailed first color film, about an old-fashioned father and his newfangled daughter.

NR
7.7
1958 Comedy 118 min Play
7.1 Flowing

Flowing

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mothers trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.

NR
7.1
1956 Drama 117 min Play
7.5 Woman of Rumor

Woman of Rumor

Yukiko's fiance learns her mother runs a geisha house and ends their engagement. She despises what her mother does until one of her clients shows interest and starts to woo her.

NR
7.5
1954 Drama 83 min Play
8.3 Sansho the Bailiff

Sansho the Bailiff

In medieval Japan a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression.

NR
8.3
1954 Drama 124 min Play
6.4 Where Chimneys Are Seen

Where Chimneys Are Seen

Gosho’s most celebrated film both in Japan and the West, Where Chimneys Are Seen is perhaps the most compelling example of his concern for, and insights into, the everyday lives of lower-middle-class people. Based on Rinzo Shiina’s novel of the absurd, the film depicts the lives of two couples against the backdrop of Tokyo’s growing industrialization during the 1950s.

NR
6.4
1953 Drama 108 min Play
8.1 Ugetsu

Ugetsu

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

NR
8.1
1953 Drama 96 min Play
6.6 Mother

Mother

Okaasan is the story of a poor, working class mother with a sick husband who sacrifices herself to support her family in suburban Tokyo. The film defines "Shomin Geki," a Japanese film genre that features realistic depiction of the economic underclass, told with elements of light comedy and melodrama. Okaasan is the best-known work of director Mikio Naruse, hailed by Japanese film historians as an equal of Kurosawa, Ozu and Mizoguchi, but under-appreciated in the West

NR
6.6
1952 Drama 98 min Play
8 The Life of Oharu

The Life of Oharu

Follows a woman's fight and survival amid the vicissitudes of life and the cruelty of the society.

NR
8
1952 Drama 136 min Play
5.6 Ginza Cosmetics

Ginza Cosmetics

Italy is usually cited as the anchor of the neo-realist movement in cinema, but Mikio Naruse's Ginza Cosmetics (1951) is a reminder that Japan had its own output equally rooted in realism. Set in Tokyo's Ginza district, this low-key, lyrical unassuming account of a few days in the life of a luckless geisha (Kinuyo Tanaka), as she struggles to make a living for herself and her young son, has few dramatic highs or artificial moments, but possesses a startlingly vivid power in its ...

NR
5.6
1951 Drama 87 min Play
7.1 Miss Oyu

Miss Oyu

Shinnosuke is introduced to Shizu as a prospective marriage partner, but he falls in love with her widowed sister Oyu. Convention forbids Oyu to marry because she has to raise her son as the head of her husband's family. Oyu convinces Shinnosuke and Shizu to marry so that she can remain close to Shinnosuke.

NR
7.1
1951 Drama 94 min Play
7.2 The Munekata Sisters

The Munekata Sisters

Setsuko is unhappily to Mimura, an engineer with no job and a bad drinking habit. She had always been in love with Hiroshi but both of them failed to propose when Hiroshi left for France a few years ago. Now he is back and Mariko (Setsuko's sister) tries to reunite them. She too is secretly in love with Hiroshi.

NR
7.2
1950 Drama 112 min Play